It’s obviously going to be a huge hit, but it also isn’t a Single Ladies or Run the World or Crazy in Love, the kind of Beyoncé single that stops you in your tracks: it feels like it’s following a musical trend rather than setting one. It offers an ever-shifting chorus of harmony vocals and a typically fantastic lead performance: amid the lyrics about quitting your job, letting your hair down and finding new drive lurks the line “Bey is back and I’m sleeping real good at nights”, which seems destined to join “Becky with the good hair” and “I woke up like this” in the pantheon of endlessly quoted, swaggering Beyoncé lyrics. It’s decorated with a bouncy piano line, raw-voiced interjections sampled from rapper Big Freedia and a hook that irrevocably works its way into your brain and features an impressively unexpected key change 3:14 in. And Break My Soul is an extremely classy example of its type. It’s worth pointing out that neither the original 90s tracks, nor their latter day successors, had anything like the kind of impact in the US that they had elsewhere. Even if you’ve never heard of a Korg M1 synthesiser, you’ve heard that sound: it’s the basis of the 1993 Stonebridge remix of Robin S’s Show Me Love and MK’s 1992 remix – or “Dub of Doom” of the Nightcrawlers’ Push the Feeling On, two of the most influential house tracks in recent pop history. It’s a mid-tempo house track based around a keyboard bass sound that – without wishing to be overly technical – very closely resembles setting number 17 on the Korg M1 synthesiser. Rather than presenting her audience with something strikingly different, Break My Soul sounds weirdly familiar. It makes the release of the first single from her forthcoming album Renaissance all the more surprising. They were, spiritually at least, of a piece with the albums that preceded them in 2019, the Beyoncé-produced alternative soundtrack for The Lion King, which dragged the sound of Afrobeats into a mainstream spotlight, and the live recording of her extraordinary Coachella performance Homecoming: evidence of an artist committed to taking musical risks, of constantly pushing forward and trying something different. Response last updated by shuehorn on Aug 21 2016.T he last major musical statements the world heard from Beyoncé were Black Parade, an electronic growl of anger at police brutality and racism that slowly built into a euphoric celebration of African American and African culture, and Be Alive, her Oscar-nominated contribution to the soundtrack of King Richard: a ballad set to a relentless, pounding rhythm that hammered home its message of Black empowerment. Link also contains lyrics for "Stuck in the Middle With You" The band officially broke up in 1975, but in 1992 director Quentin Tarantino used "Stuck in the Middle With You" in the soundtrack of Reservoir Dogs. In the early 1970s, the band was considered to be the British version of Crosby, Stills, Nash, and Young, and after two unsuccessful singles, they came to worldwide fame with their hit, "Stuck in the Middle With You". ![]() The two founding members, Joe Egan and Gerry Rafferty were school friends from the age of 9. ![]() Steelers Wheel was a Scottish folk/rock band formed in Paisley, Scottland in 1972. Top ten Bob Dylan songs report (you tube-others are not available any longer due to SME copyrights): Of the two, Dylan's voice is far more distinctive and Rafferty can actually sing. 'Stuck in the Middle With You' was composed by Joe Egan and Gerry Rafferty, and although some of the lines in that particular tune are a little reminiscent of some of Dylan's work, saying, as the Wiki article does, "The song is often mistakenly attributed to Bob Dylan, likely because Rafferty's distinctive voice is similar to Dylan's," is simply not true.
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